★★★★★ 'The themes of structure versus chaos, pattern in variety, which Pindell’s early paintings explore is not just aesthetic. The Guardian reviews Howardena Pindell: A New Language at Kettle’s Yard Unveiled in the Richard Rogers Drawing Gallery, Idris Khan's exhibition (1 July–September 2022) brings together 24 new watercolours and three large paintings. ![]() ![]() (Statues Never Die), an immersive five-screen installation by artist and filmmaker Sir Isaac Julien, on view from 19 June 2022. In celebration of the Barnes centennial, the museum has commissioned Once Again. (Statues Never Die) at The Barnes Foundation Their beauty is doubly political, by the end of this unmissable exhibition – as a message but also a comforting beneficence.' ★★★★★ 'And so these works come to have another meaning, another significance, another effect upon the viewer. Laura Cumming reviews Howardena Pindell: A New Language for The Observer Space is airy and open, the cast list domestic and unheroic, a piercing sun or subdued lamplight in cosy interiors bathes everything in a warm atmosphere, and although without grandeur or extravagance, each living thing is imbued with a surge of optimism and individuality at the Royal Academy’s delightful summery new exhibition… – Jackie Wullschläger ![]() The Financial Times reviews Milton Avery: American Colourist ★★★★★ 'Modest, taciturn, unassuming, with his outstanding gift for colour and his simplified grace, Milton Avery (1885-1965) is a singular master of American art.’ Laura Cumming reviews Milton Avery: American Colourist
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